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Fine details are further enhanced for the most part, though in certain scenes some of the deep blacks and blown whites sometimes obscure minor details. But colors, particularly primary hues, get a considerable boost in saturation. The image is still suitably grungy, given its 16mm origins. Image/Soundĭark Sky Films’s new 4K UHD transfer of The Texas Chain Saw Massacre definitely constitutes an improvement over their 2014 restoration, albeit not an absolutely overwhelming one. And then there’s the one indelible image that somehow encapsulates the clan’s entire wonky and perverted milieu: a chicken cooped up in a birdcage. Most of the thematically important dialogue comes across like throwaway lines, including the riotous “My family’s always been in meat.” Or else key themes are rendered purely visually: Witness the mummified corpse of Granma that provides the only female relation among the otherwise phallocentric cannibal clan, how the camera slowly pans across the hellish red barbeque cooker while a radio divulges tales of recent grave robbery, or the way Leatherface dolls up in garish “Baby Jane” makeup for the climactic family meal. Something else that The Texas Chain Saw Massacre pioneered is a light touch when it comes to sounding the depths of a horror film’s subtext. And The Texas Chain Saw Massacre isn’t afraid to reduce its repetitiveness to absurdity either, as when Sally twice jumps through a window in an effort to elude Leatherface (Gunnar Hansen). Later, she runs circles around their rural farmhouse. At the level of the plotline, Sally (Marilyn Burns) circles back to the Last Chance gas station where she beseeches the Old Man (Jim Siedow) for help, only to have him turn out to be one of the cannibal clan. The fierce red sun that dominates the opening credits is visually matched late in the film by repeated close-ups of red-veined eyeballs. Likewise, we can discern an almost totemistic attitude in the “artworks” and furniture that The Texas Chain Saw Massacre’s cannibal family constructs out of their victims’ remains.Ĭircularity and repetition are important structural components throughout. Nevertheless, it continues to crop up in the primitivism exhibited by the hitchhiker (Edwin Neal) who’d rather ritualistically incinerate an unwanted Polaroid than leave it behind as “evidence,” and who proceeds to mark the kids’ van with some sort of inscrutably bloody sigil. Such a pseudoscientific worldview ultimately may prove a red herring. Certainly the fixed date that we’re supplied (August 13, 1973) suggests something portentous, even as the pre-credits crawl ponderously narrated by John Larroquette lends a false sense of veracity to events that are really nothing more than a brutal and blackly humorous riff on Hansel and Gretel. However, as the opening credits and early dialogue intimate, the fault may be in our stars as well as in ourselves: Images of massive solar flares and selections read from an astrological almanac indicate that time itself is out of joint. The film has achieved the perfect storm necessary for enduring notoriety: It’s a masterwork that flawlessly mirrors the time and place of its origin, while at the same time remaining one for the ages, thanks to its uncanny power of nearly subliminal suggestion, almost avant-garde editing and sound design, and its uncompromising vision of an American consumerist society run amok. Not even the onslaught of sequels ( the first of which, also under Hooper’s direction, is actually kind of brilliant), rip-offs (Juan Piquer Simón’s batshit Pieces being one of the looniest), and a couple of pitiful stabs at a remake could manage such a seemingly impossible task. Five decades haven’t blunted the cutting edge of Tobe Hooper’s The Texas Chain Saw Massacre. History Interval 38 MB 192 Kbps ADITYA MUSIC presents the lyrical video 'Nee chura chura chura choopule panjaa" sung by "yuvan" music given by"Yuvan Shankar Raja" and lyrics are penned by "Ramajogayya Sastry" of the superhit film of 2011"Panja", Directed by "Vishnuvardhan" ,The movie features " Pawan Kalyan & Sarah-Jane Dias " in lead roles. 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Our legacy in servicing hunters and shooters, law enforcement and U.S. Wiley, Ī world leader in delivering innovative products, Winchester is The American Legend, a brand built on integrity, hard work, and a deep focus on its loyal customers.Ĭonsidered one of the world’s leading ammunition manufacturers, Winchester has built its reputation on delivering innovative ammunition products, providing top-shelf customer service and demonstrating industry leadership. This is also a good defense round if you want a slow, heavy and subsonic projectile. I have never had a jam using this ammunition in either of these pistols. Out of all the loads I've tested in my Glock 19 and My Steyr M9, this has proved to be the most consistently accurate. This ammunition is new production, non-corrosive, in reloadable brass cases. This ammunition is loaded with a jacketed hollow point bullet which features a rearward weight design to ensure pinpoint accuracy and sure functioning time and time again. 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The game features a dual class system where players could combine any of the six distinct classes with more than 25 skills and modifiers per class. Just like other prominent action role-playing games, Grim Dawn's gameplay involves fast-paced combat and collection of loot - armor, potio ns, weapons, and in-game money. Enter the apocalyptic world of Cairn where the human race is at the brink of extinction in Grim Dawn - an action role-playing game developed and published by Crate Entertainment. Of the three Philips Hue bulbs, gen 3 is the best choice for anyone looking to achieve vibrant colors in their homes. Gen 3 is similar to 2nd-gen LightStrip Plus when it comes to color production. Just like gen 1, gen 2 comes with poor colors while gen 3 has vivid colors to help create a soft, cool, or warm atmosphere as needed. Compared to gen 3, gen 1 has very poor colors. You, therefore, get to enjoy richer colors based on the spectrum you are on. Philips Hue generation 3 bulb is the superior of the three because it features the improved hue white and color ambiance bulbs. This means that you cannot achieve coloring based on the spectrum you are on. Philips Hue white and colour ambience that offers the above two optionsĪll the three Philips Hue bulbs can use Philips Hue bridges 1.0 and 2.0.īoth Philips Hue generation 1 and 2 bulbs have bad colors since green appears like dull yellow, cyan looks whitish, and blue appear like purple.Philips Hue white ambience that gives you the options of cool, soft, or warm white lighting.Philips Hue white, which will give you soft, white coloured lighting.The Philips Hue bulbs come in three options: T echnical specifications of either of these bulbs differ minimally from one another based on the color intensity, lumen featured and dimming options. Consumption: Gen 3 consumes 10 W when Gen 4 - 9.5 W.Weight: Gen 3 is heavier (133 g) when Gen 4 is 74 g.Efficiency is quite the same but still different: Gen 3 - 80 lm/W (at 4000K) Gen 4 - 85 lm/W (at 4000K). Lifetime of Gen 3 is longer: 25,000 hours (usage is based on 12 years/6 hours daily), as for Gen 4: 15,000 hours (usage is based on 7 years/6 hours daily).Color intensity: Gen 3 provides with great colors with Gamut C while Gen 4 provides with more saturated colors (colors are lighter).Philips Hue Gen 3 was introduced on the market in October, 2016 while Philips Hue Gen 4 - in December, 2017.The main differences between Philips Hue Gen 3and Philips Hue Gen 4: The newer updated bulb is version 3.1 or Gen 4. It is important to mention that the bulbs of Gen 3 and 4 have not great differences. Philips Hue Gen 4- Differences in a nutshell: 600 lumens).ĭifference #2: Philips Hue Gen 3 provides more color schemes.ĭifference #3: Gen 3 allows you to achieve full dimming while Gen 2 only goes up to RF down to 5% Philips Hue Gen 3:ĭifference #1: Philips Hue Gen 2 was introduced in 2015, while Hue Gen 3 came in 2016 (800 vs. Here are the main differences between Philips Hue Gen 2 vs. Philips Hue Gen 3 - Differences in a nutshell: Gen 1 bridge comes in a round shape while Gen 3 has square-shaped bridges.Gen 3 allows you to achieve full dimming while Gen 1 only goes up to RF down to 5%.Philips Hue Gen 3 provides more color schemes.Philips Hue Gen 3 is to be 25% brighter as compared to Gen 1 (800 vs.Philips Hue Gen 1 was introduced in 2012, while Hue Gen 3 came in 2016.Here are the main differences between Philips Hue Gen 1 and Philips Hue Gen 3: Philips Hue Gen 3- Differences in a nutshell: Philips Hue Gen 2:ĭifference #1: Philips Hue Gen 1 was introduced in 2012, while Hue Gen 2 came in 2015.ĭifference #2: Philips Hue Gen 2 is to be 25% brighter as compared to Gen 1.ĭifference #3: Gen 1 bridge comes in a round shape while Gen 2 has square-shaped bridges. Here are the main differences between Philips Hue Gen 1 vs. Philips Hue Gen 2 - Differences in a nutshell: The Phi Deltas didn ' t seem to have enough gaiety during the fall quarter, so early in January they had a theater party at the Lyceum. The last meeting before vacation the gals got together for a festive Christmas party at which they exchanged many a gift and everybody went home oh-so-very-happy about it all. The sixth annual Founder ' s Day banquet was held during the fall quarter at the Leamington Hotel and the pledges really did a colossal job of provid- ing the necessary entertainment. This great entertaining of the pledges did not last very long, however - much to their sorrow. It was a blue jean affair and the gals all carried little brown paper bags filled with things along the food line. After all of the rushing events were out of the way, the active members gave a picnic on the Mississippi River banks for their newly acquired pledges. text: “ Phi Delta The members of Phi Deha were kept plenty busy during the first part of the year what with a pro- longed series of rushing parties. Professional home economics University of Minnesota, 1909 ” Show Hide previous and next page text ( OCR) On the Phi Upsilon Omicron roster this year were: Olene Bolstad, Edna Marie Burrill, Phyllis Carlson, Lois Dennstedt, iMary Engelhart, Audrey French, Jeanette Grant, Jean Griebenow, Elizabeth Hemmersbaugh, Lorene Holl, Jean Holmgren, Edith Klammer, Karolynn Knauf, Audrey Kraus, Lois Lynch, Alargaret Maland, Ruth Mandell, Elea- nor Mayne, Mary Mehlin, Jean A4orkassel, Mary Musburger, Ilene Naley, Marilyn Noper, Borghild Onstad, Virginia Paulson, Phyllis Shannon, Doris Swinborne, Gloria Trantanella, Shirley Trantan- ella, Shirley Trovatten, and Kathryn Weesner. The principal speaker at the dinner this year was a Phi U alumna, recently returned to Minne- sota from Hawaii, who told the girls about the be- ginning of the war and how it had affected the life on the islands. This occasion has always been quite an affair be- cause the Minnesota chapter of Phi Upsilon Omi- cron is the oldest of the 29 chapters in the United States. Founders ' Day was celebrated February 10 with a banquet in the Junior Ballroom at Coffman Union. During spring quarter the tradi- tional Cap and Gown Day breakfast was served to all the seniors in home economics. Other social events included a tea for graduate and transfer students, the purpose of which was to promote friendship among graduates, transfers, and regular students. The tea was held in the Fireplace Room of the Home Economics Building and faculty mem- bers were invited. Phi U ' s gave a recognition tea fall quarter for all home economic seniors, juniors, and third-quarter sophomores who had an honor point ratio of 1.5 or above. Each member of Phi Upsilon Omicron took it upon herself twice dur- ing the quarter to help the girls at the settlement house whip up a good meal. The class was composed of girls ten to twelve years of age. The girls really had a chance to put their training into practice since the main professional project of the year was to teach a cooking class at Pillsbury Settlement House. Another meeting was held winter quar- ter with Omicron Nu, honorary home ec sorority. During fall quarter a representa- tive of the Minneapolis Gas Light Company spoke on the opportunities for home ec majors in the busi- ness world. Phi Upsilon Omicron To carry out one of Phi Upsilon Omicrons main purposes, the promotion of home economics, the so- rority sponsored three professional open meetings during the year. FRONT ROW: Ensel- hart, Carlson, Weesner, Trantanella, Swinborne, Mandell. SECOND ROW: French, Mehlin, Maland, Shannon, Morkassel. Text: “ BACK ROW: KUmmer, Knauf, Musburser, Paulson, Noper. In a KLF Communications information sheet, Drummond called "Doctorin' the Tardis" "probably the most nauseating record in the world" (a claim also made on the label of the record itself ) but added that "we also enjoyed celebrating the trashier side of pop". you know, something that Timmy Mallett understands'". Skinner called the record an "aberration", to which Drummond pleaded "guilty", adding that "we justified it all by saying to ourselves 'We're celebrating a very British thing here. Drummond recalled the experience in a BBC Radio 1 interview with Richard Skinner in late 1990. "We just had to go with it in the end" agreed Cauty. third day we realised we'd got a number one single". and I said 'that's a Glitter beat, we can't have a Glitter beat on a house record, that won't work at all'. Jimmy had been working on some rhythms for it and he played it for me in the car when we were driving down to the studio. "We were going to make a dance record", Drummond explained, "a house recording using the Doctor Who theme tune. However, unlike the cultish limited releases of The JAMs, in which Drummond's Clydeside rapping and social commentary were regular ingredients, "Doctorin' The Tardis" was an excursion into the musical mainstream, with the change of name to "The Timelords" and an overt reliance on several iconic symbols of 1970s and 1980s British popular culture, including Gary Glitter's " Rock and Roll Parts 1 and 2", the Doctor Who theme song, Doctor Who's Daleks and the TARDIS, The Sweet's " Block Buster!" and Harry Enfield's character Loadsamoney. The single continued The JAMs' strategy of sampling and juxtaposing popular musical works. The release of "Doctorin' the Tardis" followed a self-imposed break from recording of Drummond and Cauty's sampling outfit, The Justified Ancients of Mu Mu (The JAMs). The Timelords followed up their chart-topping record with a "how to have a number one" guide, The Manual (How to Have a Number One the Easy Way). The single was not well received by critics but was a commercial success, hitting number one on the UK and New Zealand singles charts, and reaching the top 10 in Australia, Finland, Ireland and Norway. The song is predominantly a mash-up of the Doctor Who theme music and Gary Glitter's " Rock and Roll (Part Two)" with sections from " Blockbuster!" by Sweet. " Doctorin' the Tardis" is a novelty single by the Timelords ("Time Boy" and "Lord Rock", aliases of Bill Drummond and Jimmy Cauty, better known as the KLF). |